My 2024 showreel brings together some of the most rewarding and fun graphics I created over the year. It was a huge year for growth, full of new challenges, familiar faces, and fast turnarounds. Every shot here was crafted by me, whether for broadcast, personal development, or just pure creative exploration. I used Blender, After Effects, and assets from libraries I have the rights to, pushing myself technically and creatively on every project.
Most of these were built in a single day, which still blows my mind. I’m incredibly proud of how far I’ve come and what I was able to accomplish under pressure. It’s been such a joy working at The Project and Channel Nine, and I’m excited for what’s next.
Tale of the Century
A segment opener for The Project’s “Tale of the Century,” where we interviewed centenarians. I built the scene in Blender, designed the TV graphics in After Effects, and aimed for a nostalgic tone that matched the segment’s aesthetic. It’s one of my favorites from this year.
Skiing
A satirical piece poking fun at wealthy Australians cutting back on spending. I leaned into a stylized, paper-cutout aesthetic using After Effects, exaggerating features for comedic effect. This shot also pairs with the “plane” and “Modern Shock Jock Magazine” you will see later in the reel.
Picnic Bench
Part of a story on a woman with DID. I put a lot of thought into the lighting, soft shadows from a gobo and fallen leaves gave the scene a quiet, mourndul and uneasy tone. This particular shot didn’t make the final cut, but I was proud that I nailed the tone and detail.
$60/Month
A dramatic take on people being sold tickets at rediculous prices. The stylized lighting on the computer and the moody color palette made this scene really stand out, despite its simple execution.
Elevator Challenge
A standout moment from an in-house team challenge at The Project. I worked alongside some of the best motion designers in the country and gave it everything I had. It was one of the few projects where I had more than a day to work on the visuals, and I poured that time into the tiny details.
Battery Warning
A simple but surprisingly effective graphic. I added 3D pipes to give the scene depth, and it turned out beautifully clean. A great reminder that small enhancements can go a long way.
DID (Scene 2)
A darker follow-up to the picnic bench. I combined childhood drawings with eerie lighting to reflect the internal shifts the subject was experiencing. The fridge magnets spell out “MAGGIE,” the subject’s name, a subtle detail I love.
Money Shot
This was a blast. I used Blender’s geometry nodes to scatter a huge pile of cash, and leaned notes against the ATM to hide clipping and sell the scene's depth. It was such a satisfying scene to build.
Court Graphic
Created for A Current Affair, this graphic challenged me to design with bold typography and a minimalist approach. It was a different pace for me and turned out super sharp.
Walkman
Visually dense but still clean. I ran out of time to animate the paper unfolding in 3D, so I cheated and did it in After Effects, proof that quick thinking and hybrid workflows can still get you a polished result.
Digital Globe
This was a test for a job I applied to in 2023. Even with the busyness of the scene, I kept the composition strong. It’s a piece that taught me a lot about balancing detail with clarity.
Character Animation
Every Christmas, I surprise my best friend with an animated greeting featuring her favorite video-game characters. I rig and animate it all myself, and it’s one of the few times I get to play with character work. Lip sync is still new for me, but I’m getting better each year.
Dogs
This was a last-minute request at the end of a long day. I rigged a dog asset, duplicated and posed them, then added naturalistic movement using only noise, no keyframes. Even the eye movements are driven by noise with stepped interpolation to replicate the way eyes dart around.
Balls
I challenged myself to make three short, satisfying social animations. This one is my favorite. The clean materials and snappy sound design made it feel complete and just fun to watch.
Life Lessons
Part of the centenarian segment. I had a bit more time to finesse this one, so I added some nice touches like the boat gently rocking and the oar swaying with it. It’s a peaceful scene that I think turned out beautifully.